KLAUS WEHNER
WUNDERCAMERA
Adopting the long tradition of attaching brass
labels to the frames of paintings (and other objects) in museum
collections emphasises the object character of the framed works.
Each framed print becomes a unique object and the overall result
is a collection of unique artefacts in itself.
The images themselves have been photographed in different
museums over several years in the same style as described in the
introduction to the 'Temporarily Removed' series: An analogue 35mm
camera, a long tele-photo lens with a large maximum aperture
resulting in a very narrow depth of field and a high speed
negative film producing very grainy images. I make a point to
describe these technical details because the sum of these is what
creates the somewhat artificial and poetic aesthetic between crisp
detail and soft focus that nevertheless is 'purely' photographic
in its origin. Including visitor presence in the images, even if
only as shadows or silhouettes, emphasises the photographic
moment, the image shows a 'scene' caught of the flow of time that
is in contrast to the static exhibits.
All in all, the visual poetry of the images can be seen to match
the poetry of display inherent in all museum presentations of
artefacts.











